This number of shows that takes because their motivation the stories that form united states mythology: yarns and fables owned by cowboys, Indians, voyageurs, spinsters, and big town Horatio Algers. They are stories that have been glamourized by popular tradition, and which occur in iconic proportions. Yet they've been fairly young, flexible stories, only 200 yrs. Old. Dempsey and Millan bend them so they really mirror a various viewpoint. By imposing an ironic lesbian and feminist reading/retelling upon these tales, they illuminate our history and our current, and produce alternate archetypes that propose new “new globes. ”
The Quick Tale of Little Lizzie Borden is really a piece that posits rage as a justifiable, certainly rational response that is emotional modern globe activities. There are 2 elements for this work, a printed text this is certainly provided to the audience to be read at their leisure, and a performance that examines a contemporary woman’s anger. The penned narrative tells the tale associated with childhood of Victorian murderess, Lizzie Borden, who had been accused of killing her moms and dads. Contrary to the printing work’s nineteenth century, poetic design, the live show informs an account of present-day kleptomania, grooming, plus the rush to war. Within an tirade that is irony-laden Dempsey describes why she steals women’s publications.
“This is certainly not a tool. This isn't an axe. That is a hatchet. A smaller, scaled straight straight down, more feminine, less effectual variation. Perhaps perhaps perhaps Not an instrument, an accessory! And add-ons create interest. ”
Duration: five full minutes.
First performed: October 2001, Finding Feminisms seminar, Mentoring Artists for Women’s Art, Winnipeg, Manitoba
Printed text posted in Bedtime tales for the side of the global World, Arbeiter Ring Press, 2012
Photos by William Eakin and Elaine Stocki
Other real time pieces in the show are the Headless Woman while the Lesbian appreciate Story for the Lone Ranger and Tonto. Skip Gray's Marvellous Truth device exists being an installation and recording on plastic.
Winnipeg Tarot Company
The Winnipeg Tarot Co. And its particular hope and enlightenment professionals offered free tarot card readings throughout Winnipeg through the fall of 2010. Well-known performers from many different disciplines staffed the portable tent that is fortune-telling Shawna Dempsey (performance musician), Sandee Moore (performance musician), Ian Ross (playwright), Ross McMillan (star), John K. Samson (musician and author), Caroline Gray (puppeteer and playwright), Rodrigo Munoz (musician), Maggie Nagel (star), Christine Fellows (musician) and Charles LeBlanc (journalist and star). Readings had been obtainable in Spanish, French, Japanese and English. The team of art-intuitives travelled from senior houses to department stores, the airport towards the hockey arena, for five days, making use of Winnipeg's effective emanations that are psychic. The device of these trade had been a totally redesigned tarot card deck featuring sites that are well-known icons of Winnipeg, produced by Dempsey and Millan, illustrated by Bonnie Marin and created by Mike Carroll.
The performance started at Portage spot Mall on Saturday September 25, 2010. Also prior to the tent was put up, a two-hour line-up formed, including an octogenarian World War II war bride and her Canadian-born spouse, teenagers nevertheless awake kind partying the evening prior to, a Latin American medical care worker on her solution to work, a businessman in a suit and connect, a greatly tattooed biker, and an architecture pupil. As of this and also at other venues, audience/participants originated from all parts of society to unburden on their own and get concerns regarding the meaning and direction of the life. The closeness amongst the performers and also the participants at those brief moments ended up being profound. Even though the music artists prefaced each session with all the terms, “I cannot see the future”, individuals brought their hopes and worries, and so they had been paid attention to.
Re re re Payment when it comes to fortune-telling solution ended up being just accepted in tales about Winnipeg. Residents could also go right to the internet site and also have an electronic card reading and key in their Winnipeg stories. Over the span of the task nearly 1000 tales had been gathered and later deposited into the Winnipeg Archives.
This Cultural Capitals task, commissioned by the Winnipeg Arts Council, tapped in to the miracle and secret of y our town, and developed a significant intersection between music artists and residents to speak about our provided futures.
To possess your fortune read, hear a whole tale or keep an account, head to http: //winnipegtarotco.ca.
Duration: 5 days
Performed: and October 2010, throughout Winnipeg, Manitoba, in coffee shops, parks, libraries, cafes, etc september.
Photos by Lorri Millan and Leif Norman
The ways that press has changed our relationship to language and activism is explored through thi narrative that is first-person that the symbols of terrorism literally drop from the roof.
It's estimated that over the following two hundreds of years, 40% of this world’s extant languages will no be contemporary modes longer of idea or phrase. In the time that is same “dominant” languages are devolving in to the brevity of marketing journalism. Sentence length is shrinking, and descriptives are noticed as superfluous. Using this de-languagification, principles as well as countries are now being lost. These shows go through the irony regarding the undeniable fact that, at any given time whenever we have actually the methods to discussion and advocate locally, nationwide and globally, we losing the very language with which we communicate.
“The following performance contains no nudity, physical violence or language that is coarse. No pets had been harmed when you look at the development of the piece, with no meat shall be ready or consumed on phase. Be forewarned that you will see no strobe lights, fireworks or pyrotechnics of any type or type, with no gunshots is going to be fired. What you are actually planning to see will bore young ones, older people, and people of you in-between. Time will crawl by and you'll curse the buddy whom brought you right here. You will definitely think about asking for the money-back, but that will need private discussion with the performer and after that you may never ever move out of right right here (laugh). No, tonight’s spectacle will in no way be dazzling. In fact the dazzling is likely to be studiously avoided, which means this won’t be most of a spectacle at all. ”
Duration: 20 moments
First performed: October 2006, Studio XX, Montreal, Quebec
Photos by William Eakin