Both at home and in Europe over the last year, ONUKA has shot to critical and popular success. But front-woman Nata Zhyzhchenko’s accomplishment that is greatest might be fusing Ukrainian antiquity with electronic modernity and answering the occasions. Zhyzhchenko, the best woman for the band ONUKA, is amongst the brightest pop music social phenomena of 21st century Ukraine. This woman is a musician effective at harmoniously folk that is blending with metropolitan sounds. This woman is an actress whom also produces pictures and ideas just as much as she does tracks. And this woman is among the heroines of this 2017 Eurovision Song Contest in Kyiv, the singer whoever record “Vidlik” has already reached the maps in ten nations.
Growing up when you look at the 1980’s and 1990’s, Nata’s life had been defined by two towns and cities found 150 kilometers aside: Kyiv and Chernihiv. The administrative centre ended up being boiling with loud life, even though the more provincial Chernihiv (located near the edge with Belarus) held greater silence and nature. But both towns had music. Small Nata (she will be known as “Nata” for the remainder of the article) had been a soloist in a metal musical organization based in Kyiv. Along with her grandfather Oleksandr Shlyonchik, a builder that is renowned of instruments, lived in Chernihiv.
A large town in addition to a tiny one, worldwide activities and life far from chaos, scenes of concert halls and a property where her ancestors worked, the rumbling of rhythm as well as the murmur for the chamber melody — these dualities formed Nata’s perspective, which mixes the traditions regarding the hundreds of years while the innovations of the brand new epoch. And using this conference of past and future, ONUKA was created.
The Lady Aided By The Panpipes
Whenever Nata had been four yrs old, her grandfather taught her to try out the panpipes. Because of the chronilogical age of five, she had currently toured with a few bands that are local. At nine, she ended up being doing being a soloist with different orchestras. At ten, she won the “New Names of Ukraine” musical contest. Nata’s moms and dads, additionally performers, encouraged their daughter’s endeavors that are musical.
In the beginning, young Nata attracted the adult attention that is world’s the caliber of her musicianship. People admired and praised her. It absolutely was of these very early years, that she started creating her first works on the synthesizer.
But she had the“gifted that is classic childhood” as she expanded older, individuals destroyed fascination with her. Nata explains the specific situation such as this: “When only a little woman is really a virtuoso regarding the panpipes, it is cool — there’s a ‘wow’ effect. But once it is a girl that is 15-year-old no body is interested”.
It absolutely was maybe maybe maybe not a transition that is easy Nata. She had not been instantly in a position to get used to the basic indisputable fact that she ended up being no further regarded as a kid and thus people reacted differently to her abilities. But Nata’s teenage years additionally aided her creative development in other methods. During this time period, she grew closer along with her elder sibling Oleksandr, who would later on be her bandmate.
Up to the chronilogical age of fifteen, Nata’s life had been full of folk music. But Oleksandr started her eyes to phenomena that are completely different Pink Floyd and Depeche Mode. It had been then that Nata’s fascination with contemporary music formed. Therefore, a new phase of her life started, but that would not imply that the earlier years had been crossed away. Her experience of tradition never ever stopped. And she maintained experience of the peaceful and cozy town of Chernihiv, where she nevertheless originates from time and energy to time.
“We prepare food with grandmoa and also have supper within the air that is fresh the garden”, Nata claims of her amount of time in Chernihiv. That litttle lady whom invested section of her youth out of the hubbub for the pulsating city have not gone away. She lives in inside ONUKA; she’s component from it.
Picture thanks to https://mail-order-bride.net/ukrainian-brides ONUKA administration
Electronica and Tomato Jaws
Oleksandr ended up being eight years over the age of Nata, but their passions along with his social circle became a supply of guidance on her behalf. She usually invested time in the recording studio with him, where she discovered the entire process of producing contemporary electronic music. Her sibling additionally offered her lessons that are DJing. Now Nata started to make records and wished for doing on phase.
In 2005, whenever Nata had been 20, her brother invited her to become listed on their project that is musical Jaws. The band recorded a record and performed concerts, including some at the renowned Kazantip festival that is rave Crimea. Certainly one of Tomato Jaws’ compositions ended up being also released by an archive label in Ireland. The group toured abroad, and performed from the stage that is same such globe electronica stars like Telepopmusic and Apparat.
During this period, Nata made the decision: in the place of trained in vocals in the music institute, she'd learn ethnocultural studies. While checking out the depths of contemporary noise along with Tomato Jaws, she additionally learned the origins of Ukrainian tradition. This experience aided her to more subtly and accurately convey the vibrations of her indigenous land in music.
Inspite of the success of Tomato Jaws, electronic music had been far from main-stream in Ukraine about ten years ago. It took the viewers time and energy to realize that individuals with laptop computers onstage will also be music artists. Following a rise of appeal, Tomato Jaws eventually dropped into decline and dissipated. By 2013, Nata ended up being beginning her very own project.
By that right time, one thing essential had additionally occurred: Nata came across the DJ, noise producer and musician Eugene Filatov, creator regarding the task “The Maneken”. Filatov afterwards became her spouse therefore the producer of ONUKA.
ONUKA and “Misto”
ONUKA is made by three people: Nata, Eugene, while the well-known Ukrainian costume designer Lesia Patoka. Their brand new music and image stressed the specific mix reverberating through their tracks: a variety of the archaic in addition to contemporary. In the 1st photo that is ONUKA, Nata wore her panpipes as a headdress. No body before her had been able to look therefore urban and fresh, while emphasizing a link aided by the people tradition.
Between December 2013 and October 2014, the group circulated its song that is first and video clip, recorded a mini-album, had its first concert, and debuted its major record. In addition, the war had started in Ukraine’s eastern Donbas region and Ukrainian culture started initially to quickly break up numerous components of its patrimony of Soviet awareness. An interest that is general much deeper social origins begun to develop. The brand new generation of young Ukrainians whom just knew the Soviet period from the tales of their moms and dads recognized ONUKA’s unique rhythms as outside of that history. Significantly less than a 12 months after being created onuka ended up being collecting a lot of individuals for a concert.
In contemporary music, the increase of any pop music musician is created in the popularity of one or more of his / her tracks. For ONUKA, that song was “Misto”. It had been created in torment. “At first it had been in English, then in 2 languages. We rewrote the writing 3 times. For the very first time in my entire life, it took me such a long time to select the last version”, Nata explains. Finally, the song ended up being recorded in Ukrainian. A couple of months later on, maybe it's heard everywhere — in the radio, in shops, on trains and buses, booming away from vehicles in the road.
ONUKA’s music became a fresh social channel that connected Ukraine along with the rest around the globe. She spoke to her audience in English and Ukrainian. But her interaction ended up being understandable with no interpretation: through rhythms, melodies, timbre, pictures. The echo of historic musical kinds resonated with all the noise regarding the century that is 21st connecting the current to your future while the future. Such a note is understandable without terms. And, into the summer time of 2015, ONUKA successfully performed in Budapest at Sziget, among the biggest festivals in European countries. ONUKA had been going west.
Photo thanks to ONUKA administration
Chernobyl and “1986”
A cataclysm of global significance that haunts the country to this day in April 2016, Ukraine commemorated the 30th anniversary of the Chernobyl nuclear disaster. For Nata, it had been a incredibly individual occasion. Her dad participated in “eliminating the results for the accident”, to make use of the previous Soviet euphemism for the cleaning work. The now dead town of Pripyat near Chernobyl, evacuated following the accident the most appealing places on earth on her. “On a scale that is global peoples progress is evil”, Nata says. “In every individual discussion with nature there is certainly a negative complication. Just it acquires a various scale depending on which technology will be used”.